Friday, November 7, 2014

Essay Week 12

The Different Cinderella Stories

There's no fairy godmother in these versions. Oliver Herford. Image info.

I have noticed that in a lot of fairy tales in this class, the original story is much more violent and sad than the version that I am used to hearing as a kid. Generally, the story has been changed so that it is appropriate for children. On the other hand, there are some points of the stories that I think should have stayed the same and teach a much better lesson than the Disney version. In this unit there were several different versions of the Cinderella story that I think had parts that should have been in the movie.

The most differing one that still counts as a Cinderella story is Tattercoats. I realize that this story would be changing the entire plot almost, but it deserves to be done in one of the more modern versions in a play or musical or even live action movie. The biggest difference here is that is for the good is that she decides to walk to the ball with her friend the shepherd (who plays a magical flute) and meets the prince on the road before the party even starts. The shepherd as the fairy godmother figure is cool because he does not do anything magical until the very end. The prince falls in love with her when she is in rags and dirty and still walking barefoot of a dirt road. He convinces his parents that this girl is to be his wife, and when he says that the shepherd transforms her clothing into a wonderful gown. This message says the girl can get a prince no matter what her clothes are, and it has a cool little thing about friendship.

The next Cinderella story in the unit was Rushen Coatie. This one was nice because it was just a little different of a setting. This girl was not sad about not going to some grand ball. She just wanted to look nice and go to the Christmas church services. She had no intentions of meeting a prince or falling in love with someone who would take her away from her slave driving stepfamily, but in the end she was still rewarded with those things.

The last story of this kind in the unit, Catskin, had some really good parts and some parts that I really would not put in a movie. Like Tattercoats, it featured a father who vowed never to look upon his daughter’s face because the mother had died in childbirth and he was being weird. When the child grows up, she is to be married off to the first person that asks. Obviously this does not go well and some creepy old man asks her when she is like twelve. Instead of magic wishes, she barters with her parents for three very fancy, very beautiful dresses and one ugly catskin. She runs away from creepy old guy, hides the fancy dresses in the forest, and becomes a maid. Now, when the ball comes up years later, she does not need magic because she is prepared. She dresses herself up for three different nights of the ball, making the prince fall in love with her. The best part though, is that after they have been married and have kids, they find her father, who would give anything to see her and they reconcile.


So, Cinderella is a great story, but with so many different options to work with, I would have thought there could be better messages sent to the audience.


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